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Alexandre Trauner
Alexandre Trauner (as Sándor Trau on 3 August 1906 in Budapest, Hungary – 5 December 1993 in Omonville-la-Petite, France) was a production designer.
After studying painting at Hungarian Royal Drawing School, he emigrated to Paris in 1929, where he became the assistant of set designer Lazare Meerson, working on such films as ''À nous la liberté'' (1932) and ''La Kermesse héroïque'' (1935). In 1937, he became a chief set designer.〔("Alexandre Trauner 50 ans de cinéma" ), lpce.com, c.2007〕
He worked on the majority of Marcel Carné's films, including ''Quai des brumes'' (1938), ''Le Jour se lève'' (1939), and ''Les Enfants du paradis'' (1945).
He designed sets for ''Witness for the Prosecution'' (1957) directed by Billy Wilder and other Wilder films,〔David Shipman ("Obituary: Alexandre Trauner", ) ''The Independent'', 21 December 1993〕 John Huston's ''The Man Who Would Be King'' (1975), Joseph Losey's ''Don Giovanni'' (1979), Luc Besson's ''Subway'' (1985).
In 1980, he was a member of the jury at the 30th Berlin International Film Festival.〔(【引用サイトリンク】title=Berlinale 1980: Juries )〕
==Selected filmography==
* ''Ciboulette'' (1933)
* ''Mollenard'' (1938)
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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